Audio Normalizer (Peak and LUFS Loudness)
Normalize audio to a peak level or to a loudness target in LUFS (−14 streaming, −16 podcasts, −23 EBU R128) with a true-peak limit. Batch files to one loudness.
Make audio files play at a consistent level. Peak normalization raises or lowers a file so its loudest sample hits a target such as −1 dBFS. Loudness normalization measures how loud the file actually sounds, in LUFS, the way Spotify, YouTube, Apple Music and broadcasters do, and brings it to a target such as −14 or −16 LUFS while keeping the peaks under a true-peak ceiling. Several files can be brought to the same loudness at once, in your browser.
How to use this tool
- Choose one or more audio files.
- Pick "Loudness" and a target (−14 LUFS for streaming, −16 for podcasts, −23 for broadcast), or "Peak level" and a dBFS target.
- Keep the true-peak ceiling at −1 dBTP unless a platform asks for something else.
- Choose the format and press Calculate; the results show the loudness and peaks before and after.
Formula
Loudness (LUFS) = −0.691 + 10 × log10(mean square of the K-weighted signal) · gain = target − measured
The meter follows ITU-R BS.1770-4: the audio is K-weighted (a high shelf around 1.7 kHz and a high-pass near 38 Hz), measured in 400 ms blocks every 100 ms, blocks below −70 LUFS are ignored, then blocks more than 10 LU below the average; the rest give the integrated loudness. Loudness range follows EBU Tech 3342. The true peak is found with 4× oversampling, which can read up to about half a decibel low for the very highest frequencies, like other 4× meters. When the gain would push the true peak over the ceiling, a 5 ms look-ahead limiter lowers only those peaks, and the true peak is checked again. Lossy outputs are decoded again to make sure they do not clip.
Example
A podcast measured at −21.4 LUFS with a true peak of −4.8 dBTP, normalized to −16 LUFS, gets +5.4 dB: its peaks would reach +0.6 dBTP, so the limiter trims them to −1 dBTP and the episode ends up at about −16.1 LUFS. Peak normalization of a file peaking at −8.7 dBFS to −1 dBFS simply adds +7.7 dB.
Frequently asked questions
Peak or loudness normalization?
Peak normalization only looks at the single loudest sample, so two files at −1 dBFS peak can sound very different. Loudness normalization matches what you hear, which is why streaming services use it. Use peak for single sounds and samples, loudness for songs, podcasts and videos.
Which target should I use?
Spotify and YouTube play back around −14 LUFS, Apple Music and most podcast apps around −16, broadcast in Europe at −23 (EBU R128) and US TV at −24 (ATSC A/85).
What is a true peak?
Between two samples the real waveform can rise above both. Players and lossy encoders reconstruct that waveform, so a file that peaks at 0 dBFS can clip after conversion. A −1 dBTP ceiling leaves room for that.
Does normalizing change the sound?
Peak normalization and loudness gain do not: the whole file just gets louder or quieter. Only when the limiter has to catch peaks are the loudest moments slightly compressed.
Last updated:
Page address with these inputs: https://kakao.mobile/tools/audio-normalizer-tool/
Cite or embed this tool
kakaoCalc. (2026, November 8). Audio Normalizer (Peak and LUFS Loudness). https://kakao.mobile/tools/audio-normalizer-tool/
“Audio Normalizer (Peak and LUFS Loudness).” kakaoCalc, 8 Nov. 2026, kakao.mobile/tools/audio-normalizer-tool/.